You can get a better view of the image here: http://www.googleartproject.com/museums/altesnational/in-the-conservatory
In Manet's "In the Conservatory", A sort of "brushwork perspective" is being used. The closer objects have a more pronounced and visible brushstroke, while the farther ones are smoother and better rendered. Also, on the dress, there is a sort of alternation between azure and turquoise. The geometric shape of the dress leads the eye towards the women's face. The woman's and man's gaze creates a sense of detachment while their hand, almost touching, creates tension.

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